All posts by Katja

»I can also—though in no way claiming to represent or to analyze reality itself (these being the major gestures of Western discourse)— isolate somewhere in the world  (faraway) a certain number of features (a term employed in linguistic), and out of  these features deliberately form a system. It is this system which I shall call: Japan.«  (Roland Barthes, Empire of the Signs)

Since 2005 Katja Stuke and Oliver Sieber have been traveling to Japan, working on topics from subculture to surveillance. Since 2011 they are developing an extensive body of work they call the »Japanese Lesson«. At the beginning it was a single one-channel video, dealing with the visual influence, research and overwealming impressions of the Japanese cities, life and culture. Since then their perspective became more elaborated and several new works have been created: photobooks, different photographic series, dealing with topics like protest and activism, activists and landscape — political landscape.

From A to B

From A to B
Von Straßen, Highways und Datenströmen

6. Dec 2020 – 7. Mar 2021
Museum Morsbroich Leverkusen»»

With works by: Sue Barr, Thomas Bayrle, Julius Brauckmann, James Bridle, Ingrid Burrington, Emma Charles, Frauke Dannert, Hans Gremmen, Uschi Huber, Taiyo Onorato & Nico Krebs, Catherine Opie, Kathy Prendergast, Hans-Christian Schink, Henrik Spohler, Katja Stuke & Oliver Sieber, Clement Valla, Mels Van Zutphen and a screening of Magnum Photos/Paris.

Exhibition »Sequence as a Dialogue«


Katja Stuke & Oliver Sieber

Sequence as a Dialogue

Kunsthalle Giessen

June 07 – August 18, 2019

Fri, 07. Jun 2019, 7 pm: Opening Reception
Sun, 30. Jun, 3 pm
: Book release, with electro-set by Shunsuke Oshio
Thu, 04. July 2019, 7 pm
: Lecture, K. Stuke + O. Sieber: On Photography, Territory and Anarchism
Tue, 08. Aug 2019, 5 pm: Guided tours by the curator

Popculture and Politics.

Katja Stuke & Oliver Sieber »Mash-Up, Japanese Lesson«
one-channel video, since 2005, 5:34 min

This »Japanese Lesson« is an associative mashup, developing since 2005. Resulted from a long-lasting research it contains images and drawings from mangas and animes, still images from japanese movies, historical and current press-photographs; photos, drawings and paintings by japanese artists, snapshots by Katja Stuke and Oliver Sieber took during their first visit in Tokyo in 2005, but also some of our their different artistic works as well as material they found in the web, magazines, LP-record-sleeves, catalogues, in the streets and subways of Tokyo and Osaka.

Activists and Landscape.

Katja Stuke & Oliver Sieber »Activism«
35 pigment prints, different sizes / framed, 2015 (grid ca.: 250 x 180 cm)
zines and publications, 2013
toys, since 2006

LESSON_DSF0594Exhibition Japanese Lesson, December 2015, Filmwerkstatt Düsseldorf

Katja Stuke & Oliver Sieber, Japanese Lesson, one-channel video, 2015
Katja Stuke & Oliver Sieber, Zines 2012
Katja Stuke, Cry Minami, since 2015

This exhibitions also included the film »Diamond hour« (1994, by D.K. Uragi starring Ms. Glorias, Teiji Furuhashi and Bubu de la Madeleine/Dump Type) and several documentary videos of performances by Chim↑Pom)

Katja Stuke & Oliver Sieber: Tokyo No Hate.
portrait- and landscape-photographs included in the exhibition above.

The Fukushima Daiichi nuclear disaster was an energy accident at the Fukushima Daiichi Nuclear Power Plant in Fukushima, initiated primarily by the tsunami following the Tohoku earthquake on 11 March 2011. Since then Katja Stuke and Oliver Sieber met activists in Japan, joined protest demonstrations, exchanged with artists and learned a lot abour places, spaces and history in Japan.

A Future Memory. A Book to Come.

IMG_0089Exhibition: The Photobook Phenomenon, CCCB Barcelona, 2017

Katja Stuke & Oliver Sieber: A future memory. A book to come. 2017
15 pigment prints, unframed,  50 x 65 cm (grid: 160 x 350 cm )

(Printed matter have always been an important part of our artistic practice – in our independent as well as the collaborative projects. The process of developing a project often gets clear when looking at the maquettes. In some cases you already know how the book will look like while shooting the images. In that case you rather need a dummy but you might need to work hard on the concept of an exhibition. In other cases you are very sure about the whole concept of a book but you need to try several different forms of the book, develop the editing of the images, change decisions about size, paper or book-binding.)

Political Landscape: Artist Book.

Katja Stuke & Oliver Sieber. Japanese Lesson. Artist Book, 2017

20 x 28 cm, 1260 pages, incl. 630 color plates
(also incl. 13 drawings, carbon paper, a gloassary)

For the different chapters of »Japanese Lesson« Katja Stuke and Oliver Sieber took photographs while walking on the borders of various neighborhoods in Osaka, Yokohama and Tokyo. Falling into a meditative rhythm between walking and photographing the two artists where discussing topics like ‚Political Landscapes‘, ‚Borders‘ or ‚How a Neighborhood can define your Identity‘.  They also visited areas in Tokyo which are changing for the future, mainly because of the 2020 Olympic Games. Questions like ‚Who owns the cities’ or ‚Reason for Change’ are brought together with questions about identity and belonging.

On each of  these walks Katja Stuke and Oliver Sieber took images around on a regular basis – depending on time or distance. These walks are brought together in one massive artist books and take shape in different photographic images, framed photographs on the walls or projections of photographic sequences. Continue reading Political Landscape: Artist Book.

Walk #1: Sanya

Katja Stuke & Oliver Sieber, Walking Meditation #1
»In and Out« Sanya, April  12, 2017, 3 – 6:30 pm

36 digital prints,  29 x 42 cm, framed (grid: 200 x 280 cm)


山谷 San’ya is an area in the Taitō district of Tokyo, located south of the Namidabashi intersection, around the Yoshino-dori. A neighborhood named „San’ya“ existed until 1966, but the area was renamed and split between several neighborhoods. It is a region with a distinct culture, an area of crowded, cheap rooming houses where day laborers live.San’ya dates to the Edo period. Lower caste workers, butchers, tanners, leatherworkers, and the like, were forced to live in this undesirable region by the predominantly Buddhist authorities. It has retained its association with both lower class workers and with craftsmen. Within the past few years gentrification has begun to encroach on the area. In recent years, some of the rooming houses have converted to provide cheap accommodation for foreign backpackers.

Walk #9: Ichinomiya.

Katja Stuke & Oliver Sieber, Walking Meditation #9
»233 miles away« Ichinomiya, May 5, 2017, 12:15 – 15:30 pm

30 digital prints,  29 x 42 cm, framed (grid: 200 x 280 cm)

The Tsurigasaki Beach in the town of Ichinomiya, Chiba Prefecture, has been selected as a site for the surfing event at the 2020 Tokyo Olympics. Surfing will make its debut at the 2020 Games as an official sport in the Summer Olympics. Ichinomiya is located 233 miles south of Fukushima Daiichi Nuclear Power Plant.

Img.: Installation view »Japanese Lesson. Fotografie neu Ordnen. Museum für Kunst und Gewerbe Hamburg. Until May 31, 2019) »Ichinomiya« in the back. On the monitor: »Nishinari«.

Walk #13. Nishinari.

Katja Stuke & Oliver Sieber, Walking Meditation #13,
»I was a sleeping tree« Nishinari, May 24, 2017; 2 – 7:30  pm

one-channel video, 281 photographs, 23:15 min (illustration)

One part of Nishinari ward is Kamagasaki, located near the south of  the Osaka loop line; it’s a so called „Yoseba,“ an area where unskilled workers live and work day in and day out. The three largest Yosebas are Kamagasaki, Kotobuki in Yokohama and Sanya in Tokyo. Other smaller Yosebas can be found   in many larger Japanese cities.
The first Yosebas arose in the 19th century: people who were incarcerated were arrested and lodged in Yosebas, then forced to work in land reclamation or dam construction. At the end of the 1950s, the Yosebas system was reactivated because it was hoped to meet the needs of rapid capitalist growth in Japan. At that time, as now, the task was to provide day to day access to cheap labor for the construction, shipbuilding and manufacturing industries.

Finding Le Corbusier ’s 63 Colours in ‚Deep Japan’

Katja Stuke & Oliver Sieber:
Finding Le Corbusier ’s 63 Colours in ‚Deep Japan’
Landspace Photogaphs

Everytime we come to Japan and talk about Minowa or Ikebukuro  (places in Tokyo where we stayed during  our first visits),  about Nishinari or Kamagasaki in  Osaka  (places we find quite interesting,  where we met nice and interesting people,  who teached us a lot about Japanese history and present times)  the reaktion is always the same: „Ohh. Deep Japan.“
To find out,  what this ‚Deep Japan‘ might be,  we visited these – and some other places  –  again and had a closer look. Fotos taken 2017 in Akihabara,  Tokyo / Arakawa-Ku,  Tokyo / Asaka,  Osaka, Asakusa,  Tokyo / Higashi-Sumida,  Tokyo / Higashi-Toyama,  Tokyo, Ikebukuro,  Tokyo / Ikuno,  Osaka / Kamagasaki,  Osaka, Kirigaoka,  Tokyo / Kotobuki-Cho,  Yokohama / Mikawashima,  Tokyo, Minowa,  Tokyo / Nishinari,  Osaka / San’ya,  Tokyo, Sumida,  Tokyo / Tateishi,  Tokyo / Yokosuka

Japanese Lesson

The Japanese Lesson is an ongoing collaborative project between Katja Stuke and Oliver Sieber.

Japanese Lesson — exhibitions & presentations
»Fotografie neu ordnen, Japanese Lesson« Museum für Kunst und Gewerbe
»Japanese Lesson« Artist Talk, The Eyes, Paris Photo 2018
»Japanese Lesson« at UNSEEN Amsterdam

Le Bal, Paris  »Japanese Lesson« Avant-premiere book presentation 
CCCB Barcelona »Japanese Lesson, A book to come«

Filmwerkstatt Düsseldorf »Japanese Lesson«
IMA Tokyo: Artist Talk Katja Stuke, Oliver Sieber & ChimPom

Open Source Festival, Düsseldorf
Kunstverein Leverkusen

Photomuseum Braunschweig »Our House«

Künstlerverein Malkasten, Düsseldorf (2009) new talents by nüans, Köln (2008), CASO Contemporary Art Space, Osaka (2006)

Japanese Lesson — publications

»Japanese Lesson« artist book, ed. of #5 + 5 AP
20 x 28 cm, 1260 pages, color digital offset-print, soft cover, open thread stiching
(also incl. 13 drawings, carbon paper, a gloassary) 

»Tokyo no Hate«
21 x 29, 7 cm, 72 pages, black white Xerox copy, soft cover, staple binding

»Japanese Lesson, A Colour Guide – Finding Le Corbusier ’s 63 Colours in ‚Deep Japan’«
14 x 21 cm, 88 pages, color digital offset-print, soft cover, open thread stiching

»Das März Heft« Open Source Festival-Edition
21 x 29,7 cm, 20 pages, all edited differently by audience
black white Xerox copy, soft cover, staple binding
ed. of 105 copies

»Böhm #34: Japanese Lesson«
21 x 29,7 cm, 12 pages, colour offset-print, staple binding
ed. of 105 copies

related publications/projects
since 2014   
»Cry Minami« Katja Stuke

 »J_Subs« Oliver Sieber

»Character Thieves« Oliver Sieber

Without learning the language in a ‚Japanese Lesson‘ the two artists where not ‚Lost in Translation‘.  The ‚lessons’ they took by walking and discussing, coming around and meeting all kinds of people, experienecing daily life and nightlife, teached them about landscape and protest, about subculture and politics, about music and places, about spaces and emotions. At the end experiences in different countries and cultures help to mirror back and to change the perception of the situation or society in ones home-country. The connection of different fields of research, the hypothesis that everything is connected form the foundation for their artistic projects.